Become a Successful Screenwriter – Break in, Break Through & Break Out

Become a Successful Screenwriter Break in, Break Through & Break Out Image

First the depressing news Hollywood is rapidly changing, and the rules for success as a screenwriter are changing with it. Gone are the days of a Hollywood flush with development money, first look deals and discretionary funds. No longer do spec scripts sell for hundreds of thousands if not millions of dollars. Agents only have time for established talent that can tap into the limited funds. Managers are less likely to invest their time and energy trying to break new writers. Producers want fully developed, high quality material, and financiers want to know the whole package before committing any cash. All this has placed an incredible burden on writers already straining to break in.

And now the good news There are a host of services and competitions helping emerging writers breakthrough the Hollywood gridlock. Maybe you have written one, two, or even three screenplays and you still cannot get an agent or manager to return your call. Established writers have a team of agents, managers, lawyers, publicists and producers advising them on every aspect of the business. How are you ever going to start your writing career let alone compete with the establishment?

If Uncle Harry is not a producer on the Paramount lot, check out the opportunities offered by screenplay competitions and coverage services. They are a great way to make sure your material is ready for the industry and some can really help aspiring writers break out. Placing as a finalist or winning a screenplay competition is a great validation of your skills, and can open the doors to an Industry known for being closed to the uninitiated.

Similarly, coverage services can really help get your material in shape. If you are lucky enough to get that agent or manager on the phone, chances are they will only give you one chance to impress and your material must be up to the task. Some may even help get that agent or manager on the phone for you if your material is worth it

That said there are lot of these services and competitions that purport to help emerging screenwriters but do your research first by asking these questions.

Who are the people administering the contest or service? Are they a part of the industry or merely periphery players just trying to break in themselves? What is their training? Do they know good material and do they know the industry?

Is your original idea being exposed to the industry? Does the competition randomly give out material to the industry to judge? There is a right way and a wrong way to introduce new material and writers to Hollywood. Agents and managers make a good living forming a strategy for each writer and every project they represent, and they take great care in making sure the material is ready before sending it anywhere.

What do you get in return? The uncertainty of whether your material has even been read permeates most competitions. If you are not one of the winners, you are lucky to get an email telling you so. Seek out competitions that give free feedback. This way you know your material has been read and the feedback is worth the cost of entry alone.

Is there a clear and transparent process and are you getting a fair chance? This is hard to know without participating in the competition, but most contests have an online presence. It is important you make sure the website lays out all the information you want to know in a professional, organized and easy to navigate way. Look at how they judge material and if they make sure every script is given equal chance.

There are a lot of great competitions and coverage services out there. Enter a few and find the ones that work for you. Use these tips and you will be on your way to Hollywood success.